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최근작 :<[4K 블루레이] 2001 : 스페이스 오디세이 - 스틸북 한정판 투명 오링케이스 증정 (3disc: 4K UHD + 2D + 보너스BD)>,<[4K 블루레이] 스탠리 큐브릭 4필름 콜렉션 (4disc : 4K UHD Only)>,<[4K 블루레이] 시계태엽 오렌지 : 초도한정 아웃박스 (4K UHD Only)> … 총 123종 (모두보기)
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최근작 :<스탠리 큐브릭> … 총 26종 (모두보기)
소개 :예수회 신부이자 시카고 로욜라대학 영문학 교수. 픽션과 영화사를 강의한다. 『프랜시스 포드 코폴라: 인터뷰』(공저)를 비롯한 영화 관련 책을 다수 집필하거나 편집했다. 스탠리 큐브릭과 25년간 교유한 사이였다.

By allowing both critics and moviegoers to see the inner workings of this reclusive filmmaker, this first comprehensive collection of his relatively few interviews with Stanley Kubrick is invaluable. Ranging from 1959 to 1987, this book reveals Kubrick's diverse interests.

From his first feature film, Fear and Desire (1953), to his final, posthumously released Eyes Wide Shut (1999), Stanley Kubrick excelled at probing the dark corners of human consciousness. In doing so, he adapted such popular novels as The Killing, Lolita, A Clockwork Orange, and The Shining and selected a wide variety of genres for his films -- black comedy (Dr. Strangelove), science fiction (2001: A Space Odyssey), and war (Paths of Glory and Full Metal Jacket). Because he was peerless in unveiling the intimate mysteries of human nature, no new film by Kubrick ever failed to spark debate or to be deeply pondered. Kubrick (1928-1999) has remained as elusive as the subjects of his films. Unlike many other filmmakers he was not inclined to grant interviews, instead preferring to let his movies speak for themselves. By allowing both critics and moviegoers to see the inner workings of this reclusive filmmaker, this first comprehensive collection of his relatively few interviews is invaluable. Ranging from 1959 to 1987 and including Kubrick's conversations with Gene Siskel, Jeremy Bernstein, Gene D. Phillips, and others, this book reveals Kubrick's diverse interests -- nuclear energy and its consequences, space exploration, science fiction, literature, religion, psychoanalysis, the effects of violence, and even chess -- and discloses how each affects his films. He enthusiastically speaks of how advances in camera and sound technology made his films more effective.

Kubrick details his hands-on approach to filmmaking as he discusses why he supervises nearly every aspect of production. ""All the hand-held camerawork is mine,"" he says in a 1972 interview about A Clockwork Orange. ""In addition to the fun of doing the shooting myself, I find it virtually impossible to explain what I want in a hand-held shot to even the most talented and sensitive camera operator. ""Neither guarded nor evasive, the Kubrick who emerges from these interviews is candid, opinionated, confident, and articulate. His incredible memory and his gift for organization come to light as he quotes verbatim sections of reviews, books, and articles. Despite his reputation as a recluse, the Kubrick of these interviews is approachable, witty, full of anecdotes, and eager to share a fascinating story.

About the Author

Gene D. Phillips, S.J., is a professor of English at Loyola University in Chicago, where he teaches fiction and the history of film. He is the author of many notable books on film and is a founding member of the editorial board of both Literature/Film Quarterly and The Tennessee Williams Journal. He was acquainted with Stanley Kubrick for twenty-five years.