Art and Capitalism : A Contemporary Perspective (Hardcover)

Introduction??Part One: Art Markets, Money and Myths??1.?????????? Art and Craft? 2.?????????? Antwerp As the Early Capital of Capitalism? 3.?????????? The Green Side of the Landscape? 4.?????????? Taxing the Art Resale Market: A Proposal for Regulating the Field? 5.?????????? What Keeps Capitalism Alive? On Intellectual Paradigms, Art, and Hegemony??Part Two: Work, Labour and the Artist??6.?????????? The Contingent Art Worker? 7.?????????? Race and inequality in the contemporary craft economy? 8.?????????? Assembling Economies: The collaborative work of Barbara Steveni 1960s-1990s? 9.?????????? The Artist without Work: Li Liao and the Critique of the Capitalist Work Ethic? 10.??????? Beyond the Guest List: Dark Matter and Class Relations in Contemporary Art? ?Part Three: Capitalist Technologies??11.??????? ‘Call Me a Thinker-Tinker:’ On Racial Capitalism, Technology, and Black Arts in the United States? 12.??????? Forensic Oceanography’s Composite Images, ‘Counter-Forensics’ and Militant Research? 13.??????? AI, artists and residencies. Capitalism and criticality? 14.??????? Technospheric Speculations: Materiality, Textuality and Impropriety??Part Four: Spaces of Art and Capital: Institutions and Beyond??15.??????? Curating distinction? The ambivalent role of private art museums as instruments of elite reproduction? 16.??????? Giardini as Commons? 17.??????? Misavowal: documenta fifteen and the Rhetoric of Power in Global Culture? 18.??????? What’s (in) a case? Museum, Care, and Capital? 19.??????? From Acquisition Agreements to Certificates of Usership: How Theory Becomes Practice and Transforms Museum Collection Strategies??Part Five: Crisis, Contestation and Critique??20.??????? Which side are you on? 1 Ultra-red, Union de Vecinos and (Anti-)Capitalist Life? 21.??????? J14 ? Contemporary Israeli Art and Capitalist Critique? 22.??????? From Resistance to Worlds Otherwise: Art against Extractivism? 23.??????? Unlearni...


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Introduction?Part 1. Art, artists, companies: Three converging trends?1. Art. Contemporary aesthetics: towards a decompartmentalization 2. Artists. Craftspeople, elite, revolutionaries, but above all workers. 3. Companies. From traditional patronage to co-creation projects?Part 2. The diversity of collaborations between artists and companies?4. An elusive diversity? Insights from practitioners 5. Artistic interventions in organisations: a research journey?Part 3. Critique of the usefulness of collaborations between artists and companies?6. Learning creativity through art in companies: fact and fiction 7. The aesthetics of work and the delicate question of sensemaking 8. Field resistance and theoretical opposition?Part 4. Art, critique, organisation. Towards a permanent recreation of value?9. Managing criticism triggered by artistic practice. False debates and real possibilities 10.?Conclusion

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