The Routledge Companion to American Film History (Paperback, 1)

Introduction: American Film History as a Multiplicity Pamela Robertson Wojcik and Paula J. Massood? Part I: Alternate Archives? 1. Cinema’s Playful Objects: On Toys and the Movies Meredith Bak? 2. Finding Its Voice? Sound and the (Re)-writing of Film History Dimitrios Latsis? 3. Doing Disney History Despite Disney Peter C. Kunze? 4. Doing Bad Film History: Lessons on Archive and Method from John Waters Hollis Griffin? Part II: Hidden Labor? 5. Heroes, Villains, or Collaborators: The Place of Hollywood Unions in American Film Industry History Kate Fortmueller? 6. ‘Students Will Be Participants’: Designing Working-Class Film Education at The Harry Alan Potamkin Film School McKayla Sluga? 7. The Reticent Close-Up: Editing and Understatement in the Films of Barbara McLean Patrick Keating? Part III: Historicizing Style? 8. Teaching Hollywood to Speak: Voice Culture and the Transition to Sound Kristen Hatch? 9. Marlon Brando, Marilyn Monroe, and Method Acting: Between Art and Commerce Amanda Konkle? 10. New Pathways Toward a New Hollywood: Love with the Proper Stranger Cynthia Lucia? Part IV: Racialized Technologies? 11. Written Refusals: Oscar Micheaux’s Confrontations with the New York State Motion Picture Commission Alyssa Lopez? 12. Hollywood Color: Race, Aesthetics, Technology Kirsty Sinclair Dootson and Xin Peng? 13. ‘Basic Dark Face’: Writing the History of Makeup in Post-Civil Rights Hollywood Desiree J. Garcia? Part V: Histories of Fans and Spectators ?14. Movie Stars Make News: Fan M...


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외국도서 > 인문/사회 > 사회과학 > 미디어학

Filmmaking in Academia (Paperback, 1)

Introduction  1. What is (Filmmaking-based) Practice Research?  2. How to tame your inner artist: creative practice versus practice research  3. Navigating Interdisciplinary Quagmires  4. How to design effective (and ethical) methodologies?  5. How to balance practice, theory and reflective evaluation?  6. What's next? How to disseminate your filmmaking-based research  7. Whose Impact is it?  8. Conclusion, or building an effective support system  Afterword  Index

African American Female Leadership in Major Motion Pictures (Paperback, 1)

Introduction? 1. As We Begin...? 2. The Need to Call It Our Own? 3. Is There A Black Feminist Discourse?? 4. Historical Landscape? 5. The Spectatorial Gaze? 6. Leadership Foundations? 7. Female Filmmakers in Mainstream Cinema? 8.? The Oppositional Gaze? 9. Implications for African American Female Directors? 10.? Conclusions and Recommendations? Appendix

The Routledge Handbook of Indigenous Film (Paperback, 1)

Introduction: Indigenous Filmmaking throughout the World?Ernie Blackmore, Kerstin Knopf, Wendy Gay Pearson, and Corina Wieser-Cox??Part 1: Decolonial Intermedialities and Revisions of Western Media??1.?MooNaHaTihKaaSiWew?/ Unearthing Spirit Framework?Jules A. Koostachin??2. Telling Time: Confronting Ethnography in Alanis Obomsawin’s Documentaries?Tia Wong??3. Barry Barclay’s?Ng?ti?(1987) and Merata Mita’s?Mauri?(1988): A Whakapapa/Genealogy of Indigenous M?ori Fiction Film in Aotearoa, New Zealand?Deborah Walker-Morrison??4.?Waru?(2017) and?Vai?(2019): South Pacific Sisters Doing It for Themselves, Each Other, and Their Communities?Marina Alofagia McCartney and Deborah Walker-Morrison??5. ’We are not Dead’: Decolonizing the Frame?Jeni Thornley??6. Acts of Translation in?Ten Canoes?Corinn Columpar??Part 2: Colonial Histories, Trauma, Resistances??7. Yolanda Cruz’s 2501 Migrants: A Journey: Possibilities and Limitations of Cultural Activism??Annette L. Rukwied??8. Recipes for Survival: Muffins for Granny and the Legacy of Residential Schooling Susan Knabe and Wendy Gay Pearson? 9. ’It’s Going to be Chief’: Sterlin Harjo’s?Barking Water?Lee Schweninger??10. ’For Spirits, Time Doesn’t Exist’: Haunting and Homecoming in Chris Eyre’s Thriller?Imprint?Manuela Muller??11. Pathfinder and Pathbreaker: Nils Gaup's?Ofelas?as Indigenous Cinema?Martin Holtz??12. 'The World is Disintegrating' ? Eco-trauma and the Representation of Mining in Catriona McKenzie’s?Satellite Boy?Victoria Herche??13. ’Two Parts Broken Heart and One Part Hope’: Violence and Historical Trauma in?Skins, Bearwalker?and?Once Were Warriors?Wendy Gay Pearson??Part 3: Indigenous L...


외국도서 > 예술/대중문화 > 영화/비디오 > 역사/비평
외국도서 > 예술/대중문화 > 영화/비디오 > 일반

Mediale Projektionen Des Anderen: Indigene Kulturen Im Genrekino (Paperback)

Adapting Margaret Atwood and Toni Morrison: Trauma, Revision, Resistance, and Survival (Hardcover)

European Screen Agencies: Cultural Intermediaries in the Film and Television Sector (Hardcover)

The Production Assistant’s Guidebook (Hardcover, 1)

0. Introduction - The Film is Bigger Than Each of Us, but Not Bigger Than All of Us??1.?The structure of a Film Production? 2.?The Basics of the Set PA Job? 3.?You and the Crew? 4.?Wrangling the Background??5.?Running First Team on Set??6.?Running Basecamp? 7.?The 2nd Second AD and the Production Report? 8.?Working as an Effective team on the Set? 9.Getting Hired and Continuing Your Career? 10.?AD Interviews? 11. Appendices - Set Paperwork and How to Use It

The Production Assistant’s Guidebook (Paperback, 1)

0. Introduction - The Film is Bigger Than Each of Us, but Not Bigger Than All of Us??1.?The structure of a Film Production? 2.?The Basics of the Set PA Job? 3.?You and the Crew? 4.?Wrangling the Background??5.?Running First Team on Set??6.?Running Basecamp? 7.?The 2nd Second AD and the Production Report? 8.?Working as an Effective team on the Set? 9.Getting Hired and Continuing Your Career? 10.?AD Interviews? 11. Appendices - Set Paperwork and How to Use It

Animal Advocacy Documentaries in the Twenty-first Century (Hardcover, 1)

Introduction: Animal Advocacy Documentary as a Subgenre;?1. Moral Shock and the Representation of Nonhuman Animal Bodies as Sites of Violence and Authenticity;?2. The “Biograph-able” Subject: Primates, Cetaceans and Anti-captivity Rhetoric;?3. Looking at Activists: Representations of Human Morality;?4. Animal Advocacy at the Intersection with Gender: The (Fe)male Gaze and the Feminine Aesthetic;?5. The Instrumentalization of Celebrity Culture;?6. The Anthropocene and Post-postmodernist Ethical Self-reflexivity;?Index

AI for Understanding Subtext in Film and Drama (Hardcover, 1)

Part 1: Reading between the Lines? 1. Royale with Cheese: Subtext and the Inward Significance of Art? 2. The Cat as a Looking Glass: Attentive Observation for Uncovering the Subtext? 3. On Terrible Coffee, Two Embarrassed Men, and an Angry Woman: The Pragmatics of Subtext? Part 2: Case Studies? 4. A Honeymoon that went Wrong: Subtext in Private Lives? 5. The Rabbi and the Physicist: Subtext in A Serious Man? 6. Was it Mostly Poopy? Subtext in Portnoy’s Complaint? Part?3: Reading in-between the Lines? 7. Presence through Absence: Four Guidelines for Reading in-between the Lines? Part?4: Case Studies? 8. “Did you just Order a Five-Dollar Shake?”: Subtext in Pulp Fiction? 9. “Too Marvelous for Words”: Subtext in The Vortex? 10. Seeing Ourselves through Others: Subtext in Scenes from a Marriage??11. “Just a Tickle”: Subtext in The Homecoming? 12. Swirling the Guacamole: Subtext in Enough Said??13. The Evil of Righteousness: Subtext in Oleana? 14. Concluding Discussion: The Manifold of Meaning

AI for Understanding Subtext in Film and Drama (Paperback, 1)

Part 1: Reading between the Lines? 1. Royale with Cheese: Subtext and the Inward Significance of Art? 2. The Cat as a Looking Glass: Attentive Observation for Uncovering the Subtext? 3. On Terrible Coffee, Two Embarrassed Men, and an Angry Woman: The Pragmatics of Subtext? Part 2: Case Studies? 4. A Honeymoon that went Wrong: Subtext in Private Lives? 5. The Rabbi and the Physicist: Subtext in A Serious Man? 6. Was it Mostly Poopy? Subtext in Portnoy’s Complaint? Part?3: Reading in-between the Lines? 7. Presence through Absence: Four Guidelines for Reading in-between the Lines? Part?4: Case Studies? 8. “Did you just Order a Five-Dollar Shake?”: Subtext in Pulp Fiction? 9. “Too Marvelous for Words”: Subtext in The Vortex? 10. Seeing Ourselves through Others: Subtext in Scenes from a Marriage??11. “Just a Tickle”: Subtext in The Homecoming? 12. Swirling the Guacamole: Subtext in Enough Said??13. The Evil of Righteousness: Subtext in Oleana? 14. Concluding Discussion: The Manifold of Meaning

I'll Believe in Anything: The Making of Heated Rivalry Season 1 (The Annotated Scripts) (Hardcover)

Broadcasting in Peninsular Malaysia (Paperback, 1)

Foreword by Asa Briggs Acknowledgements 1. National Environment for Broadcasting 2. Development of Broadcasting: Historical Perspective 3. Regulations and Policies for Broadcasting Operations 4. Organization and Processes of the Department of Broadcasting (RTM) 5. Organization and Processes of the Radio Royal Australian Air Force, Butterworth 6. Organization and Processes of the Educational Media Service 7. Organization and Processes of Rediffusion 8. Evolution in the Future 9. Communication Policies Appendix- Maps Bibliography

The Uncanny in Stanley Kubrick's Cinema: 2001: A Space Odyssey - Barry Lyndon - The Shining - Eyes Wide Shut (Hardcover)

Cinema on the Front Line: British Soldiers and Cinema in the First World War (Paperback)

The Other French New Wave: New Directions, Forgotten Directors (Hardcover)

Becoming Anne Lister: Diaries, Adaptations, and Afterlives (Hardcover)

AI and the Screen Entertainment Industries (Hardcover, 1)

PART I - AI Foundations? 1. A Short History of Ai in The Screen Entertainment Industries??2.?AI and The Seven A’s: Attention, Abundance, Acceleration, Automation, Adoption, Augmentation and Authenticity??3.?AI and The Film Value Chain??4.?The Seven As in Practice: Projects, Organizations and Policies??5. Data, IP and the Political Economy of AI? ?6.?Storytelling Futures??PART II ? AI across the Screen Entertainment Value Chain??7. Feature Film: Development and Production??8. Post-production and Delivery? 9. Distribution and Marketing? 10. Animation??11. Documentary Filmmaking??12. High-End TV and Streaming Drama??13.?Video Gaming? 14. Short form, Micro Drama and Vertical? PART III ? The Case Studies? Case Study A. Hat Trick Productions: Comedy, Creativity and the AI Jam??Case B. MrBeast and the Attention Engineering of Young Audiences? Case C. The BBC's Strategic Approach to Generative AI??PART IV ? Territories??15.?North America 16. United Kingdom and Ireland??17. Europe and the EU??18.?Asia-Pacific: China, Korea, Japan, Australia and New Zealand? 19. Africa, the Middle East and Emerging Markets? 20. Latin America? PART V ? Regulation, Governance and Future Directions??21. Regulation and Policy??22. Governance, Standards and Practice??23. Conclusions and the Human Future? 24.?Glossary

AI and the Screen Entertainment Industries (Paperback, 1)

PART I - AI Foundations? 1. A Short History of Ai in The Screen Entertainment Industries??2.?AI and The Seven A’s: Attention, Abundance, Acceleration, Automation, Adoption, Augmentation and Authenticity??3.?AI and The Film Value Chain??4.?The Seven As in Practice: Projects, Organizations and Policies??5. Data, IP and the Political Economy of AI? ?6.?Storytelling Futures??PART II ? AI across the Screen Entertainment Value Chain??7. Feature Film: Development and Production??8. Post-production and Delivery? 9. Distribution and Marketing? 10. Animation??11. Documentary Filmmaking??12. High-End TV and Streaming Drama??13.?Video Gaming? 14. Short form, Micro Drama and Vertical? PART III ? The Case Studies? Case Study A. Hat Trick Productions: Comedy, Creativity and the AI Jam??Case B. MrBeast and the Attention Engineering of Young Audiences? Case C. The BBC's Strategic Approach to Generative AI??PART IV ? Territories??15.?North America 16. United Kingdom and Ireland??17. Europe and the EU??18.?Asia-Pacific: China, Korea, Japan, Australia and New Zealand? 19. Africa, the Middle East and Emerging Markets? 20. Latin America? PART V ? Regulation, Governance and Future Directions??21. Regulation and Policy??22. Governance, Standards and Practice??23. Conclusions and the Human Future? 24.?Glossary

Cinema and the Dream of the Living Machine (Hardcover, 1)

Preface?1: Cinema and the Dream of the Living Machine 2:? Metropolis (1927) and the Birth of Cinematic AI 3: AI and the Emergence of Disembodied Authority?4: Embodied AI and the Emergence of the Drive Object?5: AI, Corporate Property and the Discipline of the Synthetic Subject?6: AI, Terminal Logic, and the End of the Human 8: AI and the Return of the Repressed?9: Appendix: Cinematic AI Fantasy Matrix?Index

?

Adaptation, Rearrangement, and Music Across Screen Media (Hardcover, 1)

Acknowledgements

List of Figures, Tables, and Musical Examples

?

Introduction: Adaptation and Rearrangement Across Screen Media

Kate Galloway, Katherine Reed, and Reba A. Wissner

?

Part 1

Reuse and Arrangement

Chapter 1: Cantor Mortis: Singing Bodies, Pre-existing Music, Death, and?Life in?Swiss Army Man (dir. Daniels, 2016)

James Denis Mc Glynn

Chapter 2: David Bowie,?Lazarus, and Self-Adaptation through the Audiovisual

Katherine Reed

Chapter 3: Star Trek: Parody?Music in Transmedial Exchange

Jessica Getman

Chapter 4: Transmedia Transylvania: Interactivity and Adaptation in?Rocky?Horror Video Games

William Gibbons

Chapter 5: Link’s Awakening for the Nintendo Switch: A Taxonomy of Musical Palimpsests

Jordan Carmalt Stokes

?

Part 2

Layering and Dialogue

Chapter 6: Audiovisual Deja Vu: Doubling, Afterimages, and Technostalgia?in Olivia Rodrigo’s Music?Videos

Amy Skjerseth

Chapter 7: Death and Transfiguration: (Ludomusical) Adaptation across the?Scott Pilgrim Franchise

Stefan Greenfield-Casas

Chapter 8: Transmedia Perry Mason: The Case of the Novel to Film to?Television Adaptations

Reba A. Wissner

Chapter 9: The Indie Sleaze Revival?Will Be Televised: Sync, Self-Referentiality, and the Sound of?the 2000s

Morgan Bimm

?

Part 3

Representation and Recall

Chapter 10: Adaptation (Taylor’s Version): Performing Intertextual Listening and the Compilation Soundtrack

Kate Galloway

Chapter 11: Westworld?and?Crazy Rich Asians: Exploring the Music of Asian?and Asian American Identity Formation

Caitlan Truelove

Ch...


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Innovation through Convergence : Technology, Art and Commerce in the Global Film Industry (Hardcover)

1. A Review of Global Film Industry Development in 2023? 2. An Analysis of the Global Distribution and Commercial Performance of Chinese Cinema in 2023? 3. Global Film Industry in 2024: Analysing Developments and the Role of German Cinema? 4. The Development of the Film Industries in Japan and the Republic of Korea (2022?2023)? 5. A Report on the Development of the North American Film Industry in 2023? 6. Centennial Evolution and Development of Qingdao Cinemas as a UNESCO City of Film? 7. 2023 Construction and Operation Report of Qingdao Film and Television Base? 8. The Role of Film Festivals and Exhibitions in Promoting Urban Development in China's Mainland? 9. The Republic of Korea’s Film Industry: Current Status and 2024 Outlook? 10. Recent Development on the Development of the Chinese Film Industry? 11. 2023 Report on the Development of China's Animation Film Industry

Artificial Intelligence in the International Film and Audiovisual Media Industries (Hardcover, 1)

Introduction?Part 1: Pre-Production and Development?1. Experiments with Story: A Case Study of RENO;?2. Collaborative Narratives for Film: Screenwriting with Large Language Models;?3. From Platforms to Production: Audiencing in early film development through algorithmic youth engagement;?4. Human Creativity vs Machine Creativity: An Experimental Research-Creation Study?Part 2: Production and Practitioners?5. About a Hero, humans, and machine co-creation: an interview with the Kaspar founders;?6. Algorithmic entanglements in Southeast Asia: reflections on a dialogue on postcolonial assemblages through AI-generated video;?7. Responsible AI in Media Production?Part 3: Post-Production?8. Camera Movement and Embodied Simulation in AI Cinematic Realism;?9. Artificial Intelligence in Scoring for Screen;?10. Artificial Intelligence as Strategic Infrastructure: The Case of Globo's Organizational Turn;?11. Artificial Intelligence in Audiovisual Post-Production: Industry insights from Framestore?Part 4: Distribution and Audiences?12. Bridging Human Insight and Machine Precision: A Content Programming Strategy Analysis of Netflix and HBO;?13. Beyond Fear and Loathing: A Mixed Methods Study of UK Film Audience Attitudes towards Artificial Intelligence (AI);?14. Cineflux: Using AI to Scale Qualitative Film Audience Research

Francophone Oceania Today: Literature, Visual Arts, Music, and Cinema (Paperback)