Children’s Opera and Music Drama (Hardcover, 1)

Introduction 1. Defining children’s Opera and Music Drama 2. Four Key Concepts of Influence 3. Essential Elements 4. Writing for a Young Audience ? Text 5. Writing for a Young Audience ? Music 6. Collaboration 7. Practitioner Perspectives. Conclusion. Appendices: Blank Characterisation Solar System Template, Blank Characterisation Solar System Template (with prompts), Blank Storyboard Template.

Children’s Opera and Music Drama (Paperback, 1)

Introduction 1. Defining children’s Opera and Music Drama 2. Four Key Concepts of Influence 3. Essential Elements 4. Writing for a Young Audience ? Text 5. Writing for a Young Audience ? Music 6. Collaboration 7. Practitioner Perspectives. Conclusion. Appendices: Blank Characterisation Solar System Template, Blank Characterisation Solar System Template (with prompts), Blank Storyboard Template.

Shifters (Paperback, 2026 edition)

Firebird (Paperback, 2026 edition)

Outlaws : A Robin Hood Story (Paperback)

Atonement : a play based on the novel by Ian McEwan (Paperback, Main)

Hymn and Cocktail Sticks (Paperback, Main)

Atlantis (Paperback, Main)

Springwood (Paperback, Main)

The Collected Harauld Hughes : presented by Richard Ayoade (Hardcover, Main)

The Misanthrope : in a version by Martin Crimp (Paperback, Main)

45 Years (Paperback, stage version)

Dracula (Paperback, National Youth Theatre version)

Arthur (Paperback)

The Cherry Orchard (Paperback)

Shakespeare / Skin : Contemporary Readings in Skin Studies and Theoretical Discourse (Paperback)

Cyrano de Bergerac (Paperback, 2 ed)

Shakespeare / Play : Contemporary Readings in Playing, Playmaking and Performance (Paperback)

The Uses of Drama : Acting as a Social and Educational Force (Hardcover)

Section One: The State of Affairs 1. Drama as a social and educational force ? an introduction 2. Best and worst of professions Section Two: Some Basic Attitudes 3. Human needs and the drama 4. Drama and childhood play 5. The purpose and nature of drama Section Three: Elements of Drama 6. Movement, dance and dramatic expression 7. Sound, rhythm and vocal expression 8. Speech, voice and sound 9. Emotional involvement in acting 10. Mental objectivity in acting Section Four: Links with the Sub-Conscious 11. Drama in dreams 12. Drama as therapy Section Five: Search for Drama in Education 13. Drama as playmaking 14. Drama as challenge 15. Drama as study Section Six: Search for a New Drama in the Theatre 16. Drama and happenings 17. Search for a new drama 18. Drama as synthesis ?19. How far ahead

Theatre Studies : The Basics (Hardcover, 3 ed)

?1. Performance 2. The Text 3. Dramatic Form 4. Theatre and History 5. Acting 6. Directing 7. Scenography 8. The Audience

Theatre Studies : The Basics (Paperback, 3 ed)

?1. Performance 2. The Text 3. Dramatic Form 4. Theatre and History 5. Acting 6. Directing 7. Scenography 8. The Audience

Why Read Shakespeare? (Paperback, 1)

Introduction: Why Read Shakespeare?; 1: Everything You Need to Know about Shakespeare before Reading Shakespeare; 2: The Problem of Love: The Comedies; 3: The Problem of Free Will: The Tragedies; 4: The Problem of Political Authority: The Histories; Epilogue: When Problems Won’t Stay Put; Index

Why Read Shakespeare? (Hardcover, 1)

Introduction: Why Read Shakespeare?; 1: Everything You Need to Know about Shakespeare before Reading Shakespeare; 2: The Problem of Love: The Comedies; 3: The Problem of Free Will: The Tragedies; 4: The Problem of Political Authority: The Histories; Epilogue: When Problems Won’t Stay Put; Index

The Routledge Companion to the History of Theatre and Migration : 1900-2020s (Hardcover)

Section 1?Theatres and Migrations: Processes of Historical Interaction?1. Negotiating differences through ‘the pond’: Argentina, Uruguay, and Europe?2. Performing migration on the Brazilian stage: three variation on oppression? 3. Transoceanic touring: theatre stars and labour mobility? 4. Performing through empire: Maurice E. Bandmann and British theatrical trade routes? 5. Modern Theatre in Korea: Japan’s Colonial Migrations and Cultural Mediation of Western Theatre, 1905-1945? 6. Cultures in the Mirror: Japanese and Western theatres as a factor of interaction. From At the Hawk’s Well to Takahime and beyond?7. Indian Performers on the German Stage: Uday Shankar, the Menaka Ballet and Transnational Touring in the 1930s??8. Theatre and migration in interwar Australia: the idea of ‘national identity’ as a problem in cultural historiography? 9. Music of the Community in Chinatowns: Cantonese Opera across the Borders? 10. Migrations and/in the Mid-Twentieth-Century Broadway Musical? 11. Master’s Diasporas in the Age of Totalitarianism? 12. Another ‘home’. Polish theatres in Lviv during the first and second Soviet occupation (1939-1941, 1944-1946)?Section 2?Postwar, Cold War, and Post-Colonial Rules?13. Exile, the Archive and the Repertoire: Challenges to a History of Spanish Theatre? 14. The masters and the ‘other’: Peter Brook and Eugenio Barba? 15. (E)Migrate, or not to (e)migrate? Grotowski’s dilemma and its consequences for the Performing Arts in (e)migration? 16. Embodying change: Rudolf Nureyev’s migrant body at the dawn of the twenty-first century? 17. Hemispheric Theatre and Performance across the Americas: Latinidad Beyond Borders? 18. Stages, Borders, and Crossroads: Egyptian and Tunisian Theatre in the Age of Migration? 19. Migration on the Turkish Stage: Three Snapshots from the 1900s to the 2020s? 20. From stage to screen a journey of performing arts in Kenyan education? 21. Myths and Practices of African Theatre in France?...


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