Ten Transformative Drama Games (Hardcover, 1)

Introduction? 1.?Why Circles Matter - Featuring Game One - ‘Perfect Circle’? 2.?I See You - Featuring Game Two - ‘Look Up Look Down’??3.?Being Here Now - Featuring Game Three - ‘Counting Circle’? 4.?The Campfire - Featuring Game Four - ‘Circle Stories’? 5.?Laughter and it’s Uses - Featuring Game Five - ‘EastEnders Zip Zap Boing’? 6.The First Thing that Comes into Your Head - Featuring Game Six - ‘Busy Bee’? 7.?We All Have a Story - Featuring Game Seven - ‘Name Stories’? 8.?The Uses of Silence - Featuring Game Eight - ‘What’s in the Box?’? 9.?Brains - Featuring Game Nine - ‘Strategic Chair’? 10.?A Round of Applause - Featuring Game Ten - ‘Circle Clap’? 11. Afterword: On Facilitation

Ten Transformative Drama Games (Paperback, 1)

Introduction? 1.?Why Circles Matter - Featuring Game One - ‘Perfect Circle’? 2.?I See You - Featuring Game Two - ‘Look Up Look Down’??3.?Being Here Now - Featuring Game Three - ‘Counting Circle’? 4.?The Campfire - Featuring Game Four - ‘Circle Stories’? 5.?Laughter and it’s Uses - Featuring Game Five - ‘EastEnders Zip Zap Boing’? 6.The First Thing that Comes into Your Head - Featuring Game Six - ‘Busy Bee’? 7.?We All Have a Story - Featuring Game Seven - ‘Name Stories’? 8.?The Uses of Silence - Featuring Game Eight - ‘What’s in the Box?’? 9.?Brains - Featuring Game Nine - ‘Strategic Chair’? 10.?A Round of Applause - Featuring Game Ten - ‘Circle Clap’? 11. Afterword: On Facilitation

Digital Transformation of Performing Arts (Paperback, 1)

1. The Roots of Change: Audience Tastes and the Digital Transformation of Performing Arts 2. Understanding Digital Transformation in the Performing Arts 3. Digital Transformation Strategies and Framework 4. Getting Things Done: Implementing Digital Transformation 5. Reshaping Operations, Engagement, and Artistic Identity 6. Case Studies 7. Is There a Digital Future for Classical Orchestras? 8. Achieving Digital Success 9. Conclusion

The Visual Dynamics of Art, Black Care, and Ethics in South African Art (Paperback, 1)

List of figures  Acknowledgments  Preface  Introduction  1. Touching Insights  2. Looking with Care  3. Imagining, Persons, Archives (Zanele Muholi)  4. Form, Idea, Passage (Mohau Modisekeng)  5. Exuberance, Fiction, Revolution (Dineo Seshee Bopape)  6. Place, Belonging, Formative Realism (Husain & Husan Essop)  7. Spirits, Histories, Fictions (Kemang Wa Lehulere)  8. Citizenship, Performance, Potential (Machona, Kukama, Mbongwa)  9. Coda: Knowledge, Ethics, Imagination (In Lieu of an Ending)

Photo Archives and the Place of Photography (Paperback, 1)

Part 1 Archival Processes and Places  1. Photographs in Place in Archives and the Writing of Photography’s History  2. The Place of Photographs in an Archive and the Place of German Wissenschaft in Italy  3. Transports of Vision: Geopiety and Frederic Edwin Church’s Photographic Collection of the Mediterranean and Middle East  4. Translating the Work of Art: Photo Archives and Institutional Memory in Oxford  Part 2 Positioning the Photographic Object  5. Archiving Royal Heirlooms in the Age of Mass Reproduction: The Publication of the Crown Treasures of the Galerie d’Apollon at the Louvre and Early Color Photography  6. "The Days Before Railways and Photographs": Berenson’s Photographic Archive and the Displacements of Art History  7. The Archive in Transition: Reframing Josef Sudek’s Photographic Reproductions of Art  8. The Family of Man as Archive and Place  9. Reciprocating Place: Photo Archives and Bedouin in the Naqab Desert  Part 3 Dislocating and Dematerializing Photographic Archives  10. Displacing the Photograph: The Photographic Image  11. Out of Place in Cyberspace: Living Digital Archives in Contemporary Iranian Pasts  12. Places of Photography and Phases of Digitization

Mexican Media Art, Ecologies, the Posthuman, and Politics (Paperback, 1)

Introduction  1. Conceptualizing Waste, Art, and Media Ecologies after Collectivism  2. Re-enchanting Art, Technology, and Ecology  3. Caring to Syncretize with More than Human Worlds  4. Worlding Environmental and Media Archeologies  5. Cosmic Ecologies and Futures after the End  Conclusion

Perspectives on Greek Musical Modernism (Paperback, 1)

1 Greek musical modernism in context
IOANNIS TSAGKARAKIS

2 Musical modernism in Greece: an overview
KOSTAS CHARDAS AND GIORGOS SAKALLIEROS

3 Dimitri Mitropoulos in the 1920s: the pioneering steps of musical modernism in Greece
GIORGOS SAKALLIEROS

4 Sonata form, sonata cycle, and multi-movement coherence in Nikos Skalkottas’ free dodecaphonic works
EVA MANTZOURANI

5 Nikos Skalkottas’ May Day Spell ? A Fairy Drama: symbolic fusion of diatonicism and chromaticism
COSTAS TSOUGRAS

6 Nikos Skalkottas’ musical borrowings and the art of collecting ideas
PETROS VOUVARIS

7 Struggling for the ‘new’ in the 1950s: twelve-note/tonal interactions in Symphony No. 3 and Concerto for Orchestra by Yannis A. Papaioannou
KOSTAS CHARDAS

8 A selective appropriation: Yorgos Sicilianos between modernism and postmodernism
VALIA CHRISTOPOULOU

9 Michael Adamis’ poly-melodic structures and the creative renegotiation of Byzantine musical heritage
THEODORE KARATHODOROS

10 On Christou
PANOS VLAGOPOULOS

11Three components of Xenakis’ universe
MAKIS SOLOMOS

12 On the evolution of Xenakis’ compositional thinking
DIMITRIS EXARCHOS

13 Beyond the stave: performance indeterminacy and the limits of Greek musical experimentalism
DANAE STEFANOU

Holistic Musical Thinking: A Pedagogical Model for Hands-On and Heart-Felt Musical Engagement (Paperback, 1)

1????????? Exploring Musical Thinking

Setting the Stage for Holistic Musical Thinking

History and Theory of Musical Thinking

A New Model

An AIT Conceptual Framework

Summary?

?

2????????? Domains of Learning and Teaching

Behind the Scenes

The Learning Domain

The Teaching Domain

Summary

?

3????????? A Pedagogical Model for Holistic Musical Thinking

Previous Ideas about Musical Thinking

A New Pedagogical Model for Holistic Musical Thinking

An Example Vignette

Summary

?

4????????? Practical Applications

The Model in Action

Classroom Vignettes: On Stage

Developing a Musical Thinking Curriculum

Summary

Conclusion

Appendix

Black British Music in America, 1967–2000 (Paperback, 1)

Acknowledgements
List of Figures
Preface

Introduction

Chapter 1: Remixing Black Popular Music History: The Black and the British

The Cultural Sound Stage

Black British Outsiders?

The Voice and the Instrumental Text?

The Weight of History

Dread Out There: The Plight of Black British Reggae

Relocating Heatwave

?

Chapter 2: Crossing Over, Genre Politics and Music Production

The Mainstream and the Charts

Cultural Dislocation

Genre and Crossover: Charting a Discourse

Record Labels and Genre Labelling

Music Production?

?

Chapter 3: Breaking Into America: The 1960s and 1970s

The Artistic Soundscape

The Beatles and Early Black British Pop

The Foundations: American Arrival

The Equals: The "Black Skin Blue Eyed Boys"

Cymande: Sending the Transatlantic Cultural Message?

Joan Armatrading: Beyond Stereotypes

?

Chapter 4: The Margin and the Mainstream: The 1970s

Hot Chocolate: “Brother Louie” and Breaking America

Beyond “Brother Louie”

Blue-Eyed British R&B: The Average White Band and Kokomo

?

Chapter 5: Transitions, Technologies, and Tensions:? The Late 1970s and 1980s

The Britfunk Era and Echoes of the 1970s

Ska’s Second Wave and American Indifference

Technology Topography

Imagination’s New Dimensions

?

Chapter 6: The New Black British Invasion Continues: The 1980s

Total Contrast: Sync or Swim

Eddy Grant: Electric Propulsion

Billy Ocean: The Breakthrough Journey

Loose Ends: The Art of “Hangin’ On”

?

Chapter 7: Commercial Consolidation: The 1980s and 1990s

Five Star: Broken by America

Des’ree: “Listen as Your Day Unfolds”?

Sou...


외국도서 > 예술/대중문화 > 음악 > 장르/스타일 > 일반
외국도서 > 예술/대중문화 > 음악 > 장르/스타일 > 팝 보컬

Global Popular Music (Paperback, 1)

Preface

5. North America: United States and Canada

6. Caribbean, Central America, and South America/Latin America

7. Europe

8. Africa and Middle East

9. Asia

10. Oceania: Aotearoa/New Zealand, Australia, and Pacific Islands

Index of Global Popular Music Genres

Index of Continents, Countries, Cities, Regions, and Localities

Index of Names

Index of Subjects

Global Popular Music (Paperback, 1)

Preface

1. Analytical, Critical, and Historical Studies

2. Theory, Methodology, and Musicianship Studies

3. Special Issues Published in Scholarly Journals

4. Annotated Bibliographies, Companions, Dictionaries, Encyclopedias, Handbooks, and Other Reference Works

Index of Global Popular Music Genres

Index of Continents, Countries, Cities, Regions, and Localities

Index of Names       

Index of Subjects

The Routledge Companion to Women and Musical Leadership (Paperback, 1)

1 Defining, Surveying and Interrogating Women in Musical Leadership
Laura Hamer and Helen Julia Minors

PART I
Historical Perspectives: Historical Perspectives: An Introduction
Laura Hamer and Helen Julia Minors

2 Augusta Hervey: Lady of ‘The Ladies’ Guitar and Mandoline Band’
Sarah Clarke

3 Examining the Birth of Guitar Societies in America: From Women Guitarists’ Advocacy to Philanthropy
Kathy Acosta Zavala

4 ‘Scatter[ing] All Prejudices to the Winds’: Wilma Norman-Neruda and Camilla Urso as Leaders of the Nineteenth-Century String Quartet
Bella Powell

5 Surviving the Everyday: Gendered Violence, Patriarchal Power Structures, and Strategies of Resistance in Late Nineteenth-Century Ladies’ Orchestras
Nuppu Koivisto-Kaasik

6 Sites of Empowerment: Fin-de-Siecle Salon Culture and the Music of Cecile Chaminade
Ann Grindley

‘7 Une Belle Manifestation Feministe’: The Formation of the Union des Femmes Professeurs et Compositeurs de Musique
Laura Hamer

8 The Forgotten Woman: Joan Trimble (1915?2000) and the Canon of Twentieth-Century Irish Art Song
Orla Shannon

9 ‘There is No Gate, No Lock, No Bolt That You Can Set Upon the Freedom of My Mind’: Being a Woman in Franco’s Prisons: A Glimpse Through Music
Elsa Calero-Carramolino

PART II
Conductors and Impresarios: Conductors and Impresarios: An Introduction
Laura Hamer and Helen Julia Minors

10 Lilian Baylis: The Visionary Impresario
Kenneth Baird, with Laura Hamer

11 Musical Ghosts: Re-Instating Elsie April in Historical Narratives of the British Musical
Arianne Johnson Quinn and Sarah K. Whitfield

12 ‘She is a Degenerate Cocaine Addict’: Emma Carelli, A Diva- Impresario Facing Her Opponents
Matteo Paoletti

13 Henriette Renie...


외국도서 > 예술/대중문화 > 음악 > 장르/스타일 > 일반

The Routledge Companion to Music, Autoethnography, and Reflexivity (Paperback, 1)

Introduction 1. ‘Is there a place for storytelling in academia? Autoethnography, a/r/tography, and arts-based practice in music studies’ Christopher Wiley (University of Surrey, UK) and Peter Gouzouasis (University of British Columbia, Canada) PART 1: HISTORICAL AND CRITICAL PERSPECTIVES 2. ‘“The Mirror and the Lamp”: Personal reflection as a source of illumination or self-dazzlement in research’ Darla Crispin (Norwegian Academy of Music, Oslo) 3. ‘Liberating marginalia and navigating the self: Conversations with curiosities from musical appreciation across a century of literature’ Charlotte Purkis (University of Winchester, UK) 4. ‘Autoethnography, the Academy, and the Limits of Musical Self-Knowledge’ Peter Tregear (Melbourne Conservatorium of Music, University of Melbourne, Australia) 5. ‘Cutting my Voice: Reflections on (re)authoring myself as an academic writer’ Esther Cavett (King’s College London, UK) 6. ‘Identifying a non-linear approach to the investigation of practice-led research in music’ Bartosz Szafranski (London College of Music, University of West London, UK) PART 2: CORE ISSUES AND NEW APPROACHES ? PERFORMANCE 7. ‘Self-Promotion, Institutional Recognition, and Critical Performance: A Sceptical Performer-Scholar’s Sortie into Autoethnography’ Ian Pace (City, University of London, UK) 8. ‘Music performance and “flow” from me to we/you: Implications and impact beyond “me-search”’ Pedro S. Boia (CIPEM/INET-md, Porto Polytechnic, Porto, Portugal) 9. ‘An autoethnographic approach to early vocal recordings and late-nineteenth-century singing treatises’ Barbara Gentili (Royal College of Music, London, UK) 10. ‘From first-person autoethnographic research to the second-person position in consciousness studies: A case study of Gyorgy Ligeti’s Three Pieces for Two Pianos’ Victoria Tzotzkova (Massachusetts Institute of Technology, USA) 11. ‘Foucauldian heterotopias in electroacoustic music: A flautist’...


외국도서 > 예술/대중문화 > 연극 > 일반
외국도서 > 예술/대중문화 > 음악 > 음악소개/연구 > 기법

Dancing Shakespeare (Paperback, 1)

1. Hamlet  2. Othello  3. Romeo and Juliet  4. Other Tragedies  5. A Midsummer Night’s Dream  6. Other Comedies  7. Late Plays  8. History Plays, Poetry, Multiple Sources

The Idea of Audience (Paperback, 1)

Prologue. Introduction. PART ONE: SETTING THE SCENE?1. Researching the Small-to-Medium Performing Arts Sector 2. Industry 3. History 4. Theory PART TWO: THE AUDIENCE PROJECT 5. The Present Audience 6. The Potential Audience 7. The Absent Audience. Conclusion. Epilogue: After Covid???

The Visual Culture of al-Andalus in the Christian Kingdoms of Iberia (Paperback, 1)

Part 1  Reinterpretation  1. Anti-Islamic Elements in Tenth-Century Beatus Manuscripts  2. Reimagining Relics and Reliquaries between al-Andalus and the Northern Kingdoms in the Eleventh and Twelfth Centuries  Part 2  Appropriation  3. Eagles and Peacocks in Tenth- to Twelfth-Century Iberian Art  4. Aesthetic of Appropriation: Andalusi Spolia in Medieval Christian Iberia  5. A Sign of Conquest and Continuity: Arabic Inscriptions on Christian Buildings from Eleventh to Thirteenth Centuries  Part 3  Artistic Transfer  6. Artistic Connections between al-Andalus and Asturian Art in the Ninth and Tenth Centuries  7. The Portal of the Church of San Pedro de Cervatos. Artistic Transfers between al-Andalus and the Castilian Leonese Kingdom in the Twelfth Century  8. The Urban Palaces of Andalusi Toledo: the Value of Local Traditions in Shaping the Artistic Horizon of 1085  9. Artistic Transfers in Medieval Iberian Architecture: Islamic Decoration in Context and its Reception in Christian Kingdoms  

Art and Artifice in Visual Culture (Paperback, 1)

Part 1 Artifice and Spectatorship  1. Fractured Perception: Drawings, Prints, and Verres Casses  2. Rococo Aesthetics and the Problem of Trompe l’Oeil  3. Degas’s "Histories" and the Foreshadowing Artifice of Self-Candaulism  Part 2 Haptic Illusions  4. Suggestive Surfaces: The Self-Referential Texture of Woodgrain in Japanese Woodblock Prints  5. Reconsidering the Origins of Yongzheng Guwantu: From the Aniconic Period to Vimalak?rtinirde?a S?tra  6. Fooling Art History: John F. Peto and William Harnett  Part 3 Alternative Realities  7. First Nations’ Wampum Belts: A Colonial Vision of Artifice in Eighteenth-Century New France  8. "An Opportunity to Grapple with the Picture Plane…": The Stereo-Illusion’s History of Frustration  9. Self-Reference and Medium-Reference in Virtual Reality and Trompe l’Oeil

Plural and Multiple Geographies of Modern and Contemporary Art in East-Central Europe (Paperback, 1)

Part 1 Plural Geographies of East-Central European Art  1. Plural Geography(ies): Between Class Division and Relations of Production  2. Discontinuity. Considering East-Central Europe as a Discontinuous Space  3. Points East: The Geo-Epistemology of East European Art through Conference History  4. Capitalism, Geographies, the Racial/Colonial, and the Imperial/Colonial Divide  Part 2 Multiple Geographies ? Non-hierarchical, Flexible Mapping, and Non-mapping  5. Plurimodern Constellations: Scales of Analysis in the Spatial History of Art  6. The Hegemonic Gaze and East-Central Europe: Challenging the Totalitarian Paradigm  7. The Arts of Mapping (East Central) Europe and David ?erny’s Entropa  8. A Shift from the Geopolitics of Place to the Chronopolitics of Time in East-Central Europe?  Part 3 Geographies of Peripheral Solidarity  9. The Alternative Geography of Socialist Cultural Internationalism: Transregional Artistic Solidarity between East-Central Europe and Latin America  10. Black Masks White Skin: Self-Identification with Africa in the Polish Culture during Late Socialism  11. From Postsocialist Geographies to Late Socialist Networks: The Role of Cultural Exchange with Non-Aligned Countries in Croatia and Yugoslavia  12. Transnational Zones for Museums and Archives between Latin America and Eastern Europe  Part 4 Geographies of "Strategic Essentialism"  13. Inside the Trans/National: Feminist Geographies of Close Otherness in the Art of East-Central Europe  14. An Art History of Place  15. Atemporal Histories and the Geographies of East-Central Europe, or Why Have There Been No Great Moldovan (Performance) Artists?  16. A Different Narrative of Nonalignment? The Case of Socialist Albania in the Art History and Geography of East-Central Europe

The Architecture of Exhibitions (Paperback, 1)

Part 1 A New Perspective on the Origin of Art Exhibition  1. The Origin of the Design of Exhibition Space: From Cave Art to Gobekli Tepe  2. Art Exhibition from the Classic Perspective  3. An Historical Perspective of Architecture for Art Exhibition  Part 2 Present and Future Scenarios for Art Exhibition  4. Graphic Narratives for Social Transformation: Weaving Stories into the Built Environment  5. Future Developments  6. Community Resilience at the Venice Biennale (2021?2023)  Part 3 Practice-Based Research in Contemporary Art Exhibition  7. Art Exhibition: Guest Contributions, Case Studies, Professional and Academic Experiences  Part 3.1 Innovations and Challenges in Traditional Art Exhibition Settings: Guest Contributions  8. Meta-Exhibition Designs  9. The Architecture of Exhibitions and the Exhibition of Architectures: What Are We "Left" With?  10. The Tyranny of Distance?  Pa t 3.2 Interdisciplinary Innovations and Immersive Experiences  11. Components, Representations, and Pixels: Three-Dimensional Resolution Through Digital Fabrication  12. Stereoma: Designing an Immersive Spatial Experience  13. Field Notes from My Little Aurora: Close Encounters of the Robotic Kind. Enacting Human-Robot Coexistence in Everyday Life Performing Spaces  14. Marmomac Meets Academies: The Greatest Show of Stone Experimentation  15. Toward Non-Humans’ Embassies  Part 3.3 The Social, Political, and Narrative Dimension of the Art Exhibition  16. 416_SR1938: The Presence of Memory in the Perceptual Experience  17. Holier Than Thou  18. Phygital: A Designer’s Call to Action  19. Enhancing the Sense of Place Through Performative Arts: The Case of Venice  20. Visual Voices: Female-Themed Murals as Community Exhibitions in the South Bronx  21. Gravitational Waves Architecture: Architecture as a Too...


외국도서 > 건축/디자인 > 건축 > 건축일반
외국도서 > 예술/대중문화 > 연극 > 일반

Intimacy, Photography, Shame (Paperback, 1)

Introduction: The Avoidance of Shame? 1. Robert Mapplethorpe: Toilet Water? 2. Peter Hujar: The Naked and the Nude? 3. Nan Goldin: Indecent Exposure? 4. Sally Mann: A High Wind in Virginia

The Living Image in the Middle Ages and Beyond (Paperback, 1)

Introduction??Part I: Principles of Animation??1. Four Fundamental Concepts of Animation: Mechanical and Organic, Supernatural and Phenomenological? 2. Screen, Window, Door: Three Devices to Understand Animation in the Middle Ages? 3. ‘To Which the Crucifix Replied’: The Phenomenology of The Animate Image? 4. Mary, Matter, Mother: Re-Thinking the Living Image Through Animism and Materiality in Moments of Crisis, Ritual, and Devotion??Part II: Medieval and Early Modern Animation??5. Blood, Peace, and Cinnabar: Animated Crucifixes and the Bianchi Devotions of 1399? 6. Guillaume de Lorris and the Speaking Image: Ekphrasis, Prospopoeia, and Poetic Creation? 7. Ealy Prints in Motion? 8. “I Carve My Figures Fine and Make Them Come to Life”: The Animation of Late Medieval Kleinplastik??9. Clothes as Animation Devices: Miracle-Working Images, Enshrinement, and the Production of Matter in Early Modern Portugal??Part III: Animated Tradition(s)??10. Motion and Emotion: Flying Baptismal Angels in Scandinavia? 11. Playing (with) Puppets: Jigging Puppets from the Middle Ages to the 20^th Century? 12. Thinking with a Figure: Different ways of Animating Sculptures of Saints in Polish Puppet Theatre at the End of the 20^th Century

Supporting Vulnerable Performance Traditions (Paperback, 1)

1 Contemporary issues of continuity and change for vulnerable performance traditions Interlude: Yarlpurru- rlangu yawulyu ‘Women’s songs about the two age brothers’ 2 ‘So they can keep it and carry it on’: Shifting modes of song transmission and learning of Warlpiri women’s yawulyu Interlude: Laansas treseer padaas 3 Laansas parmi napooy: squaring the circle on the “difficult” Portuguese Burgher lancers Interlude: In Meditation (2004), for erhu and electronics 4 Liturgical Latin in Lewisham: Old Rite music as a means of transcultural religious identification Interlude: Theyyam Exhibition ? Everyday Life: A Repertoire of Ritual and Performance 5 Performance as exhibition: Sonic and visual response to the Theyyam festival Interlude: Kodava Song: Before and Beyond the Synecdoche 6 ‘Who do you not see here’? (but what might you hear?): Synecdochic maintenance of culture in Kodava song Interlude: Rupert Manmurulu and Renfred Manmurulu discuss and perform Inyjalarrku mermaid songs 7 ‘Remix!’: continuity through innovation in the manyardi song tradition of western Arnhem Land

Early Modern Replicas of the Holy House of Loreto (Paperback, 1)

Introduction? 1. Competing Foundations? 2. Print as a Means of Flight? 3. Devotion through Degradation? 4. One in the Same? 5. Mater Ecclesiae? Conclusion

The Routledge Companion to American Film History (Paperback, 1)

Introduction: American Film History as a Multiplicity Pamela Robertson Wojcik and Paula J. Massood? Part I: Alternate Archives? 1. Cinema’s Playful Objects: On Toys and the Movies Meredith Bak? 2. Finding Its Voice? Sound and the (Re)-writing of Film History Dimitrios Latsis? 3. Doing Disney History Despite Disney Peter C. Kunze? 4. Doing Bad Film History: Lessons on Archive and Method from John Waters Hollis Griffin? Part II: Hidden Labor? 5. Heroes, Villains, or Collaborators: The Place of Hollywood Unions in American Film Industry History Kate Fortmueller? 6. ‘Students Will Be Participants’: Designing Working-Class Film Education at The Harry Alan Potamkin Film School McKayla Sluga? 7. The Reticent Close-Up: Editing and Understatement in the Films of Barbara McLean Patrick Keating? Part III: Historicizing Style? 8. Teaching Hollywood to Speak: Voice Culture and the Transition to Sound Kristen Hatch? 9. Marlon Brando, Marilyn Monroe, and Method Acting: Between Art and Commerce Amanda Konkle? 10. New Pathways Toward a New Hollywood: Love with the Proper Stranger Cynthia Lucia? Part IV: Racialized Technologies? 11. Written Refusals: Oscar Micheaux’s Confrontations with the New York State Motion Picture Commission Alyssa Lopez? 12. Hollywood Color: Race, Aesthetics, Technology Kirsty Sinclair Dootson and Xin Peng? 13. ‘Basic Dark Face’: Writing the History of Makeup in Post-Civil Rights Hollywood Desiree J. Garcia? Part V: Histories of Fans and Spectators ?14. Movie Stars Make News: Fan M...


외국도서 > 예술/대중문화 > 영화/비디오 > 역사/비평
외국도서 > 인문/사회 > 사회과학 > 미디어학

Interrogating the Visual Culture of Trumpism (Paperback, 1)

Part I: Introduction??1. Interrogating the Visual Culture of Trumpism??Part II: Social Media and the Internet??2. Towards a Contrarian Postmodernism: Elon Musk and the Ends of Historical Allegory? 3. The Politics of Bigfoot Porn, or the Relationship between Sasquatch and the Far Right? 4. Trumpism, NFTs, and the Cultural Politics of 21^st Century Kitsch? 5. The Worship of a Golden Chair: Patterns and Implications of Warhammer 40.000 References in Trumpist Propaganda? Part III: Commodification and Consumption??6. Where’s the Beef: American Portraiture, Stock Photography, and The Visual Politics of Trump Steaks? 7. Cassandra's Curse: Foreshadowing the Trumpian Era - A conversation with Andrew Krasnow? 8. “Serious Balls”: Donald Trump as Phallic Symbol in Pop Presidential Paraphernalia? ?9. Seeing Red: A MAGA Re-Brand??Part IV: Portraiture and Caricature??10. Edel Rodriguez takes on Donald Trump: The Time Magazine Covers? 11. Trump’s Court Artist? 12. Drain? 13. Transmedial Trumpism: Strongman Politics Via Popular Caricature??Part V: Public Space??14. Making American Architecture Great Again? Executive Order 13967? 15. Postcommodity’s Aesthetics of Place: An Intervention into Trump’s Picture of the Borderlands? 16. The Visual World of Trumpism and Rural MAGA Warriors in Northern California??Part VI: American Sacred Spaces??17. ‘Fake News’ from the Oval Office between the Obama and Trump Administrations, or so we thought? 18. From Inauguration Crowds to Capitol Mobs: Photography and Fact in the Post-Truth Era? 19. The Flags that Flew on January 6th: DIY Populist Art Plays with the Past

Exhibiting Animals in Europe and America (Paperback, 1)

Part 1 In Books, Prints, and Photographs  1. Anxious Shores: Early Modern Illustrations of Marine Animals from the Magellan Strait and the Chilean Coast  2. Capturing Animal Life in Brehms Thierleben  3. Turning the World Inside Out: Exhibiting Animals in Nineteenth-Century Spanish Broadsheets  4. Talking Like the Birds: Animal Speech and Embodied Imitation in Early Colonial Mexico  5. Posing Pony: Considering Horses, Children, and Display in Rural Lakota Photographs  Part 2  In Palaces, Churches, and Ceremonial Spaces  6. Visceral Castor: Animal Presence in Indigenous Beaver-Pelt Coats and French Tricorn Hats  7. A World Beyond the Mines: Birds in the Flower Paintings of San Martin de Tours in Potosi, Bolivia  8. The War Stories of Sspitaikoan  9. Coexisting Species and Imperial Networks: Displaying African and Asian Animals in the New Kingdom of Granada  10. Winged Beasts for Charles III  Part 3  In Studios, Theatres, and Museums  11. The Corpse at the Door: Edwin Landseer and Albert the Lion  12. Bloodhounds, Race, and Spectacle: From Nineteenth-Century Melodrama to Breed Specific Legislation  13. Riding into the Afterlife: A Close Reading of Honore Fragonard’s Ecorche of a Horse and his Rider (1766?1771)  14. Fragile Fragments: Reflections on Victorian Beetle Art in a Time of Climate Crisis  Part 4  In Parks, Fairs, and Zoos  15. “Predecessors of the living:” Displaying Extinct Animals at the Crystal Palace in Sydenham  16. Twice-Stilled Animals: Control and Vulnerability in Images of Taxidermy in the United States  17. “From ocean’s depths and inland streams”: Fish on Display at the 1893 Columbian Exposition  18. How a Polar Bear Lived in Canada’s First National Park

The Western Classical Music Industry in Twenty-First Century China (Paperback, 1)

List of Figures

List of Tables                                                                           

Introduction                                                                              

Chapter One  The Western classical music industry in China: Contexts and conditions

1.1 ‘Crisis’ in the West and proliferation in the East?       

1.2  What is the relationship between music, governance, politics, and regulation in China?                                                                             

      1.2.1 Market censorship

      1.2.2 Cultural policy censorship

      1.2.3 Political censorship

1.3 Research Methodology: insider/outsider, ...


외국도서 > 경제경영 > 산업 > 미디어/커뮤니케이션
외국도서 > 예술/대중문화 > 음악 > 음악산업

The Artist-Philosopher in the Age of Addiction (Paperback, 1)

Preface? Introduction? 1. Shamans? 2. Wittgenstein? 3. Heidegger, Holderlin, and the Dao? 4. The Anthropocene? 5. Heidegger’s Bottom? 6. “Reverse is the Movement of the Tao”

Global Art Markets (Paperback, 1)

1. Introduction to Global Art Markets?Iain Robertson, Derrick Chong, Luis U. Afonso Part I.?History of art markets?2. World trade and artistic exchanges in early globalization: Lisbon c.1500?Luis U. Afonso?3. A mass market for the visual arts: the golden age of Dutch painting during the seventeenth century?Filip Vermeylen?4. The French provinces in the eighteenth century: a desert for the art market??Sophie Raux?5. Collecting patterns for Chinese art: 1600-1935?Nick Pearce?6. Dealer networks: the global market for Impressionism and Post-Impressionism from 1870 until 1930?Frances Fowle?7. When the dealer shapes demand: Stefano Bardini, master influencer?Lynn Catterson?8. Regulating the wartime Dutch art market?Jeroen Euwe Part II.?New geographies and challenges facing art markets?9. Caribbean contemporary art: from (neo)colonial outpost to creative eco/system?Carlos Garrido Castellano?10. Heirs of the feathered serpent: the emergence of indigenous contemporary art in Brazil?Rene Lommez Gomes?11. Western auction houses’ global expansion?Natasha Degen?12. Singapore’s aspirations to be a global art market hub?Anita Archer?13. How do emerging artists enter the art market? A view from France?Jerome Glicenstein?14. Collecting contemporary art in Russia?Marina Maximova?15. The art market out of sight?John Zarobell?Part III.?Digitalization and financialization of art markets?16. Web3 and the global art market: smokescreens and opportunities?Nicolas Galley?17. Art market innovation?Loizos Petrides?18. Platformisation and transparency in the global art market?Marios Samdanis?19. NFTs (non-fungible tokens) and the emergence of a new category in Sotheby’s and Christie’s global auction market?Marta Herrero & Georgia Gerson?20....


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The Transformative Politics of Music Education (Paperback, 1)

List of figures

List of Contributors

Why music education needs transformative politics: Introduction

Gert Biesta, Tuulikki Laes, and Heidi Westerlund

Chapter 1. Reclaiming the education question for music education: Groundwork for a transformative politics

Gert Biesta

Chapter 2.  Expanding mental models in music education: Transformational praxis beyond the expert gaze 

Heidi Westerlund and Albi Odendaal 

Chapter 3. Music educators as imaginative "designers": Emerging transformative ecopolitics in higher education

Heidi Westerlund, Danielle Treacy, Katja Thomson, and Albi Odendaal

Chapter 4. The paradox of social innovations within music schools: Taking critical responsibility in transformative practice  

Hanna Backer Johnsen, Geir Johansen, and Tuulikki Laes

Chapter 5. Policy entrepreneurship: towards a new music education professionalism in a risk society

Patrick Schmidt and Tuulikki Laes

Chapter 6.  The Pædeia process in music education: Recuperating creativity as democratic education

Panagiotis A. Kanellopoulos

Chapter 7. The transformative politics of music education research: Navigating public scholarship through transepistemic synthesis

Gert Biesta, Tuulikki Laes, and Heidi Westerlund

Chapter 8. A manifesto for transformative politics in music education

Gert Biesta, Tuulikki Laes and Heidi Westerlund

Index

Textile Conservation (Paperback, 2)

1. Textile conservation within the cultural sector; 2.?Treatment ethics and decision making; 3.?Conservation and community partnerships; 4.?Interventive conservation; 5.?Preventive conservation; 6.?Applied science in conservation; 7.?Education of textile conservators; 8.?Ongoing professional development.

The Primitivist Imaginary in Iberian and Transatlantic Modernisms (Paperback, 1)

Part I: Circulations  1. Decentering Primitivism: Latin America, Cultural Authority, and the Modernist Writing of the European Primitive  2. Cosmopolitan Cubism, Provincial Paris  3. Los Pintores Integros: A Primitivist Rationale for Iberian and Transatlantic Modernisms  4. Primitivising the Mural Either Side of the Atlantic: Discourse and Contingency in Joaquin Torres-Garcia's Murals  5. Benjamin Peret’s Remarks on Afro-Brazilian Religions. Primitivist Longings, Ethnocentric Critiques, Surrealist Ethnographies  Part II: Patterns and Paradoxes  6. Antropofagia, Primitivism and Anti-Primitivism  7. Troping the “Primitive” in Portuguese Narratives of Modernity and Colonialism  8. Returning to What Never Was: Primitivisms in Canto da Maya  9. The Pastoral in Modern Catalan Art: Joaquim Sunyer and Joan Miro  10. Puppets, Child Art, and an Illuminated Manuscript: Puppet Shows with Multilayers of Primitivism in 1920s Granada

The Victorian Painting of Modern Life (Paperback, 1)

1. The Reform of Art  2. The Response: Looking into the Lives of Others  3. ‘The Meaning and Inexhaustibleness of Life’: Defining a Genre  4. The Here and Now of Modern Life  5. Shipwreck, Suicide, Sensation, Surface: The Decline of the Modern Life Subject 

Filmmaking in Academia (Paperback, 1)

Introduction  1. What is (Filmmaking-based) Practice Research?  2. How to tame your inner artist: creative practice versus practice research  3. Navigating Interdisciplinary Quagmires  4. How to design effective (and ethical) methodologies?  5. How to balance practice, theory and reflective evaluation?  6. What's next? How to disseminate your filmmaking-based research  7. Whose Impact is it?  8. Conclusion, or building an effective support system  Afterword  Index

Samuel Beckett’s Italian Modernisms (Paperback, 1)

Part 1 Beckett and Italian Interwar Culture  1. Beckett’s Dystopian Trilogy, Part I: Lucky’s ‘Cerebral Physiology’ and the Irrelevance of Godot  2. Leopardi in Beckett’s Late Modernist Romanticism  3. Mirror Acts: Dramatic Form in Pirandello’s Six Characters in Search of an Author and Beckett’s Waiting for Godot  Part 2 Beckett, Modernism and Tradition: Absurdism and Purgatorial Shadows  4. Analogymongering: Dante and Vico in Beckett  5. ‘Denti Alligator’ or ‘Airtight Alligator’: Reading Dante with Joyce and Beckett  6. Beckett and Ariosto: Nominalist Irony, ‘Perhaps’  7. Beckett’s Kickoff: Orlando Furioso as Theatre of the Absurd  Part 3 Beckett, Italian Modernism and Late Modernism: Theatre, Intermediality and Testimony  8. Samuel Beckett and Italian Culture: From Dantesque Scenarios to the Theatre Scene of the 2000s  9. Samuel Beckett’s Not I ? Purgatorially Merciful?  10. ‘A Theatre of Concrete Visual Images […], a Theatre of Poetic Images’: The Staging of Neither by the Italian Video?Art Group Studio Azzurro  11. ‘Company’: Beckett, Tabucchi, and Testimony

African American Female Leadership in Major Motion Pictures (Paperback, 1)

Introduction? 1. As We Begin...? 2. The Need to Call It Our Own? 3. Is There A Black Feminist Discourse?? 4. Historical Landscape? 5. The Spectatorial Gaze? 6. Leadership Foundations? 7. Female Filmmakers in Mainstream Cinema? 8.? The Oppositional Gaze? 9. Implications for African American Female Directors? 10.? Conclusions and Recommendations? Appendix

The Routledge Handbook of Progressive Rock, Metal, and the Literary Imagination (Paperback, 1)

List of Contributors?

List of Figures?

List of Tables?

Acknowledgments

?

Introduction: Reflections on The Literary Imagination in Progressive Rock and Metal?

Chris Anderton?and?Lori Burns??

?

Part I. Theoretical Frameworks??

1.???? More Erudite than Your Average Rock Band: Progressive Rock and Literature?
Andy Bennett?

?

2.???? Cross-pollinations: Progressive Rock and Science Fiction?
Chris Anderton?
?

3.???? So Hard to Find in My Cosmic Mind: Hippie Spirituality and Jon Anderson’s Lyrics?
John Covach?
?

4.???? “Everything in the lower world has its root in higher worlds”: Rock and Religion in Jon Anderson’s Chagall Songs?
Jonathan C. Friedman?
?

5.???? Poets and Prophets: The Lyricists of Early Progressive Rock from Self-Creation to Parody?
Leonardo Masi?
?

6.???? The Origin of Progressive Metal Lyrics in Black Sabbath’s Music?
Nolan Stolz??
?

7.???? The Dystopian Impulse in Prog: Cross-cutting Thread/ts in Dystopian Concept Albums?
Marcel Bouvrie?

?

Part II. Literary Adaptations?

8.???? Time Travel Through Tolkien?
Sarah Hill and Jon Gower?
?

9.???? Into the Storm ? Blind Guardian’s?Nightfall in Middle Earth?and the Tolkien Reception in German Metal music?
Martin Ringsmut?
?

10.? Storytelling Strategies in Camel’s?Music Inspired by The Snow Goose?
Ryan Blakeley?
?

11.? Musical Evocations of the Uncanny in David Bedford’s?The Rime of the Ancient Mariner?
Kevin Holm-Hudson?
?

12.? Royal Hunt’s Adaptation of Ray Bradbury’s?Fahrenheit 451?and the Interplay Between Narrativity and Western Art Music?
Aleksandar Golovin?

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The Routledge Handbook of Indigenous Film (Paperback, 1)

Introduction: Indigenous Filmmaking throughout the World?Ernie Blackmore, Kerstin Knopf, Wendy Gay Pearson, and Corina Wieser-Cox??Part 1: Decolonial Intermedialities and Revisions of Western Media??1.?MooNaHaTihKaaSiWew?/ Unearthing Spirit Framework?Jules A. Koostachin??2. Telling Time: Confronting Ethnography in Alanis Obomsawin’s Documentaries?Tia Wong??3. Barry Barclay’s?Ng?ti?(1987) and Merata Mita’s?Mauri?(1988): A Whakapapa/Genealogy of Indigenous M?ori Fiction Film in Aotearoa, New Zealand?Deborah Walker-Morrison??4.?Waru?(2017) and?Vai?(2019): South Pacific Sisters Doing It for Themselves, Each Other, and Their Communities?Marina Alofagia McCartney and Deborah Walker-Morrison??5. ’We are not Dead’: Decolonizing the Frame?Jeni Thornley??6. Acts of Translation in?Ten Canoes?Corinn Columpar??Part 2: Colonial Histories, Trauma, Resistances??7. Yolanda Cruz’s 2501 Migrants: A Journey: Possibilities and Limitations of Cultural Activism??Annette L. Rukwied??8. Recipes for Survival: Muffins for Granny and the Legacy of Residential Schooling Susan Knabe and Wendy Gay Pearson? 9. ’It’s Going to be Chief’: Sterlin Harjo’s?Barking Water?Lee Schweninger??10. ’For Spirits, Time Doesn’t Exist’: Haunting and Homecoming in Chris Eyre’s Thriller?Imprint?Manuela Muller??11. Pathfinder and Pathbreaker: Nils Gaup's?Ofelas?as Indigenous Cinema?Martin Holtz??12. 'The World is Disintegrating' ? Eco-trauma and the Representation of Mining in Catriona McKenzie’s?Satellite Boy?Victoria Herche??13. ’Two Parts Broken Heart and One Part Hope’: Violence and Historical Trauma in?Skins, Bearwalker?and?Once Were Warriors?Wendy Gay Pearson??Part 3: Indigenous L...


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The Routledge International Handbook of Heritage and Politics (Paperback, 1)

PART I Introduction: 1.The Politics of Heritage; ?2.We need a new way to talk about heritage and politics; PART II Forms of reconciliation, connection and mobilisation: 3. Heritage and/not hate; 4. The Heritage Politics of Hope; 5. Something Happened in Cowra: Comprehending the Heritage of War Commemoration Sites and Ceremonies through Stanley Cavell’s ‘Politics of Acknowledgment’; 6. From Intangible Culture Heritage to Political Symbol ? A Study of Milk Tea, Emotions, and the Pan-Asian Pro-democratic Movement; 7. The Collective Impact on Heritage: Lessons from the Beirut October Uprising; 8. Cultural Heritage and Symbolic Power in Iraq’s Protest Movement; PART III Politics from below: community, local and oppositional activism: 9. Heritage as white public space; 10. The Politics of Heritage Instrumentalisation: A Comparative Study of Two Indigenous Cultural Villages in Malaysia; 11.Local Communities, Counter-Heritage, and Heritage Diversity: Experiences from Zimbabwe; 12. Preah Vihear and the Politics of Indigenous Heritage in Thailand; 13. An anarchist imagination for critical heritage studies: Prefiguring equitable and sustainable futures in crofting and beyond; PART IV Populist and authoritarian politics: 14. ‘Are you (or could you be) Indigenous?’ A Perspective from Europe; 15. Affect, Belonging and Political Uses of the Past in a Digitally Integrated Public Sphere; 16. Trumpian Populism and Coal mining Heritage in Northeastern Pennsylvania; 17. Heritage and Technocracy: The Polish “digital museum boom” and its impact on heritage practice; 18. Brumbies, settler-colonial heritage, and the Wild Horse Heritage Act (2018): the politics of feral horse management in Australia; 19. Fading Memory and Inexistent Past: the concealed heritage of Stalin’s mass repression; PART V Reconfiguring and unsettling heritage symbols: 20. Making Worlds of the Past: the interdependency of heritage represen...


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Music, Higher Education, and Society (Paperback, 1)

Introduction: Setting the Stage, or Pulling Back the Curtain? 1. Foundations of Leadership for Change: Music’s Essential Goodness??2.?Grasping Reality I: Assumptions Impeding Change and Progress in the Classical Music Ecosystem? ?3. Grasping Reality II: Breathtaking Opportunities Masquerading as Insoluble Problems? 4. Toward Systemic Change and Progress: Thinking and Acting Strategically in the Context of Shared Governance? 5. Transformation

Reimagining Music Theory (Paperback, 1)

1 Introduction: what is music theory for?  2 Fundamentals from the ground up  3 Practicing music theory  4 Close, contextual, and creative listening  5 Music theory in the community: who is a music theorist?  6 Toward a decolonial analytics: what’s at stake?  7 Doing decolonial and deimperial music theory  Afterword: Music theory and artistic research

The Routledge Companion to Diasporic Jazz Studies (Paperback, 1)

Preface

?

Part 1: What is Diasporic Jazz?

1.?????? Tony Whyton: Jazz as Diaspora Space

2.?????? Christopher Ballantine: What is “Jazz”? Categories, Passages, Contradictions and Power

3.?????? Jonathan Wipplinger: Ways of Conceptualising the Global Jazz Diaspora

4.?????? Philipp Schmickl: Rethinking Diaspora in Diasporic Jazz

5.?????? Carol Muller: Diaspora in South African Jazz History and Contemporary Performance

6.?????? Mikkel Vad: The Diaspora Swings Back: Expat Jazz Musicians in Europe and their Return Home to the United States

7.?????? Adam Havas: Identity Politics and Diasporic Jazz: Reflections from the European Semi-Periphery

?

Part 2:? Histories and Counter-Narratives

8.?????? Catherine Tackley: “Snakehips Swing:” The West Indian Contribution to British Dance Band Music

9.?????? Federico Ochoa Escobar: Jazz Diaspora and the Colombian Caribbean: From the Jazz Band to the Big Band

10.?? Jason R. Borge: Booker T. Pittman and the Mid-Twentieth Century South American Jazz Diaspora

11.?? Martin Breternitz: Individuality in Collectivism ? Jazz Clubs in the GDR as Nonconformist Diasporic Institutions

12.?? Aleisha Ward: “Real Dance Music in Your Town Soon!” The Importance of Jazz as Dance Music in Aotearoa New Zealand 1920s-1940s

13.?? John Whiteoak: Jazz Diaspora, Latin Musical Influences and Australia

Part 3:? Making, Disseminating and Consuming Diasporic Jazz

14.?? Pekka Gronow: Music Industry and the Media

15.?? Mischa van Kan: Public Broadcasting Companies and Jazz Outside of the United States

16.?? Haftor Medbøe...


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The Routledge Handbook of Heritage and the Law (Paperback, 1)

1. Introduction: The Law as an Instrument for Heritage;?Part I - Scaffolding Heritage in the Law:?2. Scaffolding Heritage in the Law; 3. The Relations between Law and Heritage Studies; 4. Heritage and Law: A Wholly Mutual Relationship; 5. Heritage Law in Relation to Art Law: From Object to Museum; 6. International Cultural Heritage Law and Other International Legal Regimes; 7. Cultural Heritage Law and Other Domestic Norms; 8. Translating International Heritage Standards into Domestic Law; 9. Culture and Heritage in Constitutional Law; 10. Federalism and Heritage Law; 11. Private International Law and Cultural Heritage; 12. Cultural Heritage and Property Law; 13. Intellectual Property and Heritage Law: Mainstream and First Nations Perspectives; 14. Cultural Heritage in Urban Planning and Construction Law; Part II - Acting on Heritage: Authority and Conflicts: 15. Acting on Heritage: Authority and Conflicts. Introduction to the Section; 16. Sources of Heritage Law and Their Authority; 17. Legal Classification Within and Beyond Heritage Law; 18. Cultural Heritage Impact Assessments for Development Projects; 19. Laws on the Use of the Public Space for Heritage Purposes; 20. Who Speaks for Heritage? Standing to Pursue Action on Behalf of Heritage; 21. Alternative Dispute Resolution and Heritage; 22. Cultural Heritage Export Controls; 23. Regulating Dealers; 24. Heritage in Maritime Law; 25. Heritage Suspension: Law on Public Emergencies; 26. Heritage and Criminal Sanctions; Part III - What Does Heritage Stand For? Questions Towards New Grounds: 27. What Does Heritage Stand For? Questions Towards New Grounds; 28. Heritage as Fact or Legal Issue; 29. Contracting and Licensing for Heritage: Lessons from Fashion and Luxury Brands; 30. Private Law-Making, Self-Regulation and Heritage; 31. What is Heritage For? Law, Heritage, and Value; 32. Human Remains as Cultural Heritage; 33. Religious Heritage and the Law; 34. Heritage and Environmental Law; 35...


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The Routledge Handbook of Heritage Destruction (Paperback, 1)

1. A path well worn? Approaches for the old problem of heritage destruction; Part 1 Understanding Destruction -- 2. Heritage Destruction in Conflict; 3. Talking about Heritage Destruction in Market Countries; 4. Destruction of Cultural Heritage in Peacetime and International Law; 5. Development of the Law of Armed Conflict as Applied to Cultural Heritage; 6. Heritage Destruction and Human Rights; 7. Heritage Destruction and Genocide: Legal Resistance, Conceptual Resiliency; 8. Methods, Motivations, and Actors: A Risk-based Approach to Heritage Destruction and Protection; Part 2 Interpretations of Destruction ? 9. Heritage Destruction, Natural Disasters, and the Environment: Geological Disasters; 10. Heritage Destruction, Natural Disasters, and the Environment: Atmospheric Disasters; 11. Flooded Heritage: The Impact of Dams on Archaeological Sites; 12. On Destruction in Art and Film; 13. Between Heritage and the Readymade?the Imminent Aesthetic of Ai Weiwei; 14. Heritage Predation and the Pursuit of Politics; 15. Post-conflict Recovery Challenges: Affect and Heritage in Post-conflict Cyprus and Italy; 16. Media Narratives, Heritage Destruction, and Universal Heritage: A Case Study of Palmyra; 17. Collateral Damage: The Negative Side Effects of Protecting Cultural Heritage in Conflict Related Situations; 18. Turning Destruction into an Opportunity: Understanding the Construction of Timbuktu’s ‘success story’ by UNESCO; 19. Heritage Destruction from a Humanitarian Perspective; Part 3 Expressions of Destruction -- 20. Cultural Property Destruction and Damage in Two World Wars; 21. Heritage Destruction and its Impact in Scandinavia and the Baltic Region during the Second World War; 22. Case Study: The Wars of Yugoslav Succession; 23. Cambodia: Gods Threatened by the Art Market and Warfare; 24. Destruction of Cultural Heritage in Times of Conflict: The Case of Syria; 25. Iraq: Creative Destruct...


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Music Lessons for a Living Planet (Paperback, 1)

Part I: Introduction  Introduction  1. Definitions  Part II: Ideas for Music in General  2. Satis Coleman’s Environmental Pedagogy  3. Community  4. Ecofeminist Considerations  5. The Elements of Music  6. Improvising and Composing With Non-human Species  7. Responding to Ecological Catastrophe  Part III: Ideas for Performing Ensembles  8. Bands and Orchestras  9. Choirs  10. General Music  11. Popular Ensembles  Part IV: Concluding Thoughts  12. Spirituality  13. Rurality, Capital, Commons  14. Going Beyond Our Current Politics

The Routledge Companion to Marxisms in Art History (Paperback, 1)

Introduction??PART 1 Key Figures? 1.?Karl Marx’s 1857 “Introduction” to the Grundrisse and the Social History of Art? 2. Arnold Hauser: The Social History of Art and Beyond? 3. Ugly and Out of Sight: Reconsidering the Irrational in Walter Benjamin’s Theory of Allegory? 4. Meyer Schapiro and the Value of Modern Art? 5. Georg Lukacs: Marxism and Politics of Form? 6. Henri Lefebvre and Marxist Art History? 7. Herbert Marcuse’s “Repressive Desublimation” and Richard Hamilton’s “Healthy Vigo? 8. Guy Debord and Marxist Art History? 9. Different Marxist Histories of Art Post-1968: T.J. Clark and O.K. Werckmeister??PART 2 Key Terms??10. Concepts of Labor in Marxist Art History? 11. “Time’s Carcass”: Art History, Capitalism and Temporality? 12. Artistic Use Value: Art, Aesthetics, Culture and the Commons? 13. Deskilling? 14. Romantic Anticapitalism? 15. Marxism, Feminism and Art History? 16. Do It Yourself: Objective Form, Territory of Critical Struggle??PART 3 Marxisms Applied?17.? Magritte, Marxism, Modern Art? 18. “No Environment” Modernism: Harold Rosenberg’s Theory of Uneven and Combined Development? 19. Bureaucracy and Charisma: Chris Burden and the Figure of the University Artist? 20. Equipo Comunicacion: Marxism, Avant-garde and a Collective Publishing Venture for Late Francoism to the Spanish Transition (1969-1979)? 21. Affect, Attachment, and Loss: The Material Objects of Art History and Psychoanalysis? 22. Of Rocks and Phantasmatic Hard Places: Art Criticism in the 1970s and 1980s? 23. Soviet Thaw-era Marxism: Revision of Stalin-era Discourse on Aesthetics and Art History? 24. Bogdanov, Prolekult, and Working-Class Culture in Revolutionary Russia? 25. Realism and the Politics of Emancipation in the 1920s and 1930s Yugoslavia? 26. How to Follow Marx with Class? Transformation and Marxist Analysis of Post-Communist Art in a Post-Communist Europe? 27. Invisible Art Work, or Until When Will We Reproduce the Exploitation of Lab...


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