바흐 무반주 바이올린 소나타 파르티타 반쪽짜리 녹음으로 음반 데뷔했던 힐러리 한이 20여년 만에 나머지 반쪽으로 전곡을 완성한다. 그 청아하고 당당하면서 빈틈 없는 비르투오소와 화려한 대비효과를 기억하는 이들에게는 한없는 기다림이 마침내 환희로 다가올 음반이다. 최근 LP로도 발매되어다시한번 화제를 모은 DG 데뷔음반, 바흐 협주곡 음반과 같이 언제나 새로운 시작은 자신의 시금석인 바흐인데, 앞으로 데카와 함께 할 또 다른 여정에 기대감이 커진다.
Gramophone Magazine November 2018
This is quite simply magnificent violin-playing, the sort that while you’re listening to it convinces you that the music couldn’t possibly be played any other way…you soon realise just how far she’s come since her teenage years, the tempo marginally more mobile and the variety of nuance and tone on offer so much wider than it had been...I adored it.
Presto Classical 21st December 2018
Thanks to her conviction, technique and deep understanding of Bach, Hahn has that rare ability of convincing the listener that this music couldn’t possibly be played in any other way...After two weeks in its company, I implore you to listen to something from this recording every day: it will feed your mind as well as your soul. This is 75 minutes of authentic and profound Bach playing of the highest standard.
The Times 5th October 2018
It’s incendiary and thrilling stuff, created by someone who has lived with Bach so regularly and deeply that his music seems part of her very being...At the same time, nothing is done for show. Technique, feelings, heart and mind ? every element is intuitively fused, as Bach always demands. Hahn’s greatest, most dazzling mature achievement mirrors Bach’s own: effortlessly conjuring the appearance of voices in counterpoint from single notes, abrupt changes in register and miraculous, spreadeagled chords.
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