알라딘 중고매장

  • 최저가 : -원 I 최고가 : -원
  • 재고 : 0부
  • - 쇼핑목록에 추가하신 후 목록을 출력하시면 매장에서 간편하게 상품을 찾을 수 있습니다.
 
[종로점] 서가 단면도
(0)

J.D. 샐린저의 대표작이자 2001년으로 발표된지 50년을 맞은 <호밀밭의 파수꾼> 페이퍼백. 지금도 여전히 매년 약 30만 부가 팔려나가는 성장문학의 영원한 고전이다. 다소 빡빡하게 편집되어 있다.

소설은 홀든 콜필드라는 16세 소년이 학교에서 퇴학을 당한 후 집으로 돌아가기까지 단 2일간의 이야기를 주절주절 늘어놓은 것이다. 뉴욕 부르주아 집안의 아들이지만 허영과 위선으로 가득찬 사립학교와 사람들을 견디지 못하는 그의 독백이다.

<호밀밭의 파수꾼>만큼 입소문에 많이 오르내린 책도 없을 것이다. 존 레논의 암살범 마크 채프먼이 이 책을 갖고 있었다는 것, (당시) 많은 학교들에서 금서로 지정된 것, 작가 샐린저가 이 한권의 장편소설만을 발표하여 단번에 위대한 작가의 반열에 오른 것 등등.


The highly successful Catcher is J. D. Salinger's only published novel. It is narrated by seventeen-year-old Holden Caulfield, a schoolboy in rebellion against the dubious values of the adult world.

In 1949, recovering in a California sanitorium, Holden relates events that occurred during three December days in 1948--when he was sixteen. Within this part of the story, Holden frequently flashes back to experiences and people from earlier in his life.

Much like Mark Twain's Huckleberry Finn, Catcher could be described as an American Bildungsroman: a picaresque novel that illustrates the moral development and attitudes of its nonconformist protagonist

최근작 :<호밀밭의 파수꾼>,<호밀밭의 파수꾼 (샐린저 탄생 100주년 기념판)>,<백년의 고독 / 호밀밭의 파수꾼> … 총 74종 (모두보기)
소개 :

Holden ist ein ganz normaler amerikanischer Jugendlicher, der Schulstreß hat und schließlich vom Internat fliegt. Nebenbei liest er gerne Bucher und macht die ersten Erfahrungen mit der Liebe. Ein amusant zu lesender Roman uber das Erwachsenwerden.

Anyone who has read J.D. Salinger's New Yorker stories, particularly A Perfect Day for Bananafish, Uncle Wiggily in Connecticut, The Laughing Man, and For Esme--With Love and Squalor, will not be surprised by the fact that his first novel is full of children. The hero-narrator of THE CATCHER IN THE RYE is an ancient child of sixteen, a native New Yorker named Holden Caulfield. Through circumstances that tend to preclude adult, secondhand description, he leaves his prep school in Pennsylvania and goes underground in New York City for three days. The boy himself is at once too simple and too complex for us to make any final comment about him or his story. Perhaps the safest thing we can say about Holden is that he was born in the world not just strongly attracted to beauty but, almost, hopelessly impaled on it. There are many voices in this novel: children's voices, adult voices, underground voices--but Holden's voice is the most eloquent of all. Transcending his own vernacular, yet remaining marvelously faithful to it, he issues a perfectly articulated cry of mixed pain and pleasure. However, like most lovers and clowns and poets of the higher orders, he keeps most of the pain to, and for, himself. The pleasure he gives away, or sets aside, with all his heart. It is there for the reader who can handle it to keep.